Last night was the midterm for my ARTC 1353 course. Since you really can't have a test over computer illustration, our assignment was to recreate six artboards that our teacher had created then upload them. These are my six.
As a young girl, I never imagined I would one day conquer Mt. Everest. So I gave up on that dream and decided to start a blog instead!
Showing posts with label midterm. Show all posts
Showing posts with label midterm. Show all posts
Tuesday, March 12, 2013
Thursday, February 28, 2013
ARTC 1353 - Character
We're also to supposed to be working on a self portrait for our midterm project. After coming to the realization that there really aren't many pictures of me after the wedding, I decided to just use one of my wedding pictures. Below is the picture that I'm going to be using.
The goal of this exercise is to use the pen tool to draw over your picture and create a posterized/Warhol-esque type of picture. I really didn't do too much last week (even though I really should have) but I've been working a lot on it this week. I think I'm about halfway done, I have the main parts of my picture covered, I'm now working on some of the finer details. I also haven't decided on a color scheme... Since its going to be more pop-art than photograph, I think I'm going to deviate from the natural colors, but I haven't decided what my color scheme will be yet. So far, this is the picture I've been able to create.
Friday, October 26, 2012
The Death of Journalistic Integrity
Continuing in the theme of many of my recent mid-term related posts, this is a very slimmed down version of my paper for Mass Communications. After doing the research for this paper, it was quite easy to see why journalistic integrity is all but non existent.
In the
same way that the Telecommunications Act of 1996 opened up the ability for
cross ownership, it also opened up the ability for vertical integration.
Vertical integration is the way a single owner owns several companies in an
attempt to streamline the costs. Just as Andrew Carnegie used monopolies and
vertical integration to dominate the steel industry, the broadcasting industry
is being streamlined today with the use of vertical integration.
Prior to
the Telecommunications Act of 1996, a company was not allowed to own more than
one “full-power broadcast station that serviced the same community.” After this
act was instated, many small television, radio and newspaper station were bought
out. This has resulted in the consolidation of numerous networks and channels
to be consolidated into the “Big Six,” NBCUniversal/Comcast/GE, the Walt Disney
Company, News Corporation, Time Warner, Viacom and the CBS Corporation. These
six companies own many of the most
popular television station and news outlets. NBC owns the rights to stations
such as Universal Pictures, MSNBC, the Weather Channel and Syfy. The Walt
Disney Company owns networks such as the ABC Television Network, Pixar
Animation Studios and ESPN. News Corporation owns networks like Fox
Broadcasting Company, the Wall Street Journal and MarketWatch.com. Time Warner is possibly the largest of the
Big Six own CNN, Warner Brothers and Time. Viacom owns Comedy Central, Global
Broadcasting News and Paramount Home Entertainment. CBS owns stations such as
CBS Television Network, Showtime and Simon & Schuster.
Vertical
integration has caused a decrease in the unbiased nature of the news industry
and a lower quality of journalism and television shows. When a person hears the
name “GE” the immediate thought is of electronics and home appliances, like the
new GE washer and dryer. One does not generally think of the television
stations, radio stations, cable and telecommunications systems that are also
under the GE umbrella of ownership. If a company can convince the general
public that they are solely a magazine publication or a single television
station, it is easy for the public to never notice that they also have several
news organizations and several newspapers that are all under the same company.
When the Walt Disney Company owns not only ABC Television, Walt Disney Pictures
and various book publishing companies, the types of stories pushed through each
of these ventures, while they may vary greatly, they will have the same company
pushing the same message. What does
this mean for the general populace? Most of the news and information that a
person will come across in any given day will most likely come from one of
these six corporations. The merging of these companies has caused a high
concentration of ownership and an increased political and economic influence.
With so few players in this media game, there is less diversity and competition,
which can lead to a lesser quality of journalism. Just as monopolies were a
disservice in the in the steel era with Andrew Carnegie, monopolies are a
disservice to the American people today.
While
companies may be making insane profits from these multiple ventures, it is the
American people that are the ones to suffer. Gone are the days of unbiased news
organizations because every news company on television in the United States
reports to the owners of one of the big six companies. The general public can
no longer rely on the television and newspapers to bring them reliable, quality
journalism, so they are beginning to
head to the online sphere to find quality readings.
Thursday, October 25, 2012
Examining the Roman Sarcophagus with Battle Scene
The final piece I wrote about for my midterm. Its very, very different from the two paintings and the most recent post about Shiva Nataraja.
While
ancient, there is a beauty in the ancient Roman and Greek sculptures that is
not seen today. The Roman Sarcophagus
with Battle Scene that was carved into marble is one such example of the
lasting beauty of the Roman carvings. While
today the dead are buried and hidden, it is interesting to see the way death
was just another transition and not to be feared. Marble carvings are some of the
most easily recognizable depictions of ancient Roman art that are still left
with us today.
This
sarcophagus was completed as any other traditional Roman relief carving. It
depicts a great battle with the Romans and some foe; the Romans are winning the
battle. The Romans are heavily armored and riding on horses while the people
they are fighting are either naked or wearing a simple toga. The Dallas Museum
of Art states that this was most likely created to portray the “wars Rome
fought with the Germanic tribesmen along the Danube frontier in what are now
Hungary and Romania.” While same sarcophagi may depict culture, religion, and
the changing seasons, that is not the case with this example. This sarcophagus
is showing off the great triumphs of a general as a war hero throughout his
life. Death is not something that is solely mourned, it is also a celebration
of life and the accomplishments that a person has been able to do through their
life. The battle scene depicted here was created because the man “probably
wished to identify his life and career with well-known Greek scenes of military
triumph” (DMA).
In Greek,
a sarcophagus translates to “flesh-eater” (Awan). Most of the sarcophaguses
that were made for the Romans were made out of stone, lead or wood. Because
this sarcophagus was made out of marble, it is easy to know that it was made
for a person of power. This was most
likely made for a general to depict his victories in battle. A sarcophagi was
not meant purely used for funerary purposes, they were also used to decorate
homes and public spaces. With this knowledge, the entire meaning behind the
sarcophagus changes completely. It is not just to hold the dead; it is also a
celebration of life. A sarcophagus was not solely for the dead to be stored in;
it was created throughout a lifetime and seen as art work (as it still is
today). The elaborate sarcophagi of the Greeks and Romans are more than another
way to honor the dead. This is a way to make the barrier between life and death
smaller. The sarcophagus is a way to instill in people the need to leave behind
something important that they have been able to accomplish in their lifetime.
This
sarcophagus is an example of the way people use art to examine the here and
now. By creating a piece of art that celebrates the life lived, death is not
scary. By putting meaningful scenes from a person’s life on the sarcophagus, it
is sending the underlying message that a person should work throughout their
life to create something or to do something meaningful enough to have on the
sarcophagus forever. By instilling in the need for people to be productive, it
is trying to make people be the best they can. Who would want their sarcophagus
to be scenes of them watching television or sitting online? Who wants a
sarcophagus that just depicts a life of going to school and home or going to
work and going home? There is a level of trying to get people to reach a higher
level of themselves.
Just as
the Egyptians used the pyramids to hold their respected dead and to prepare
them for the afterlife, so too did the Romans and Greeks use the sarcophagi. The
Romans were able to create a last resting place for themselves and also to
create a final story depicting their lives. By leaving behind this final tale,
it opens the eyes of today’s society in that we must not be so focused on the
here and now, we must look at life in the long run. Life is, by nature, the
longest thing any of us will ever experience. This is a simple reminder to make
good use of our time while here.
Monday, October 22, 2012
Examining Shiva Nataraja
The third piece I examined for my midterm was a very iconic piece from the Hindu religion.
While
there is no artist listed for Shiva
Nataraja, there is a very large history behind it. This is one of the most
recognized depictions of Shiva, even to people that know nothing about the
beliefs that led to its creation. Created in the 11th century and
cast in bronze, Shiva Nataraja is one
of the chief Hindu gods. He is the master of life, death, rebirth, and a fertility
deity. But what exactly is this sculpture trying to show us? What is the story
behind this iconic depiction of Shiva
Nataraja?
Shiva
stands on a pedestal, standing on a person. Without the knowledge of what is
being depicted, a casual viewer may think that this is an act of cruelty.
Instead, this is a symbol of Shiva’s victory over ignorance as well as the
passage of spirits from the divine into material. The upper right hand is
holding a small drum, symbolizing the origins of creation, as Shiva is dancing
the dance in which the universe was created, maintained, and destroyed. The
upper left hand is holding fire, symbolizing destruction as Shiva is also the
god of death. Shiva’s lower right hand is poised in the symbol protecting from
evil and ignorance. The final hand is pointing at Shiva’s raised foot,
signifying liberation. The flames that surround Shiva as he dances are symbolic
of the universe. The snake winding
around his waist is a symbol of the divine force within all of us.
Shiva is “the
most important authority in the religious, political, and cultural world” (Ambegaonkar). He is known as the destroyer as
well as the creator; this casting symbolizes both aspects of Shiva. This piece
shows how Shiva is said to be “periodically destroying the universe so that it
can be remade again” (Patel). The power and authority that Shiva has is a beautiful
balancing act, expressing the harmony and rhythm of life. The dance Shiva is
performing symbolizes the cycles of creation and destruction, meant to portray
the way inner tranquility and outside activity can unite.
Shiva is
important to the Hindu religion because he is more than a simple god, he is the
answer for two of life’s biggest questions that religion tries to answer: How
were we made? and How will we die? Shiva
Nataraja takes what would otherwise be a terrifying topic and turns it into
a beautiful dance, a simple balancing act. As every other religion has tried
before, this is a way to try and answer the unanswerable questions that all
cultures have. This is a simple reflection toward the sacred realm. Since humans
have been able to create art, they have been creating pieces that would comfort
them about the realm of the unknown. Just like every Christian or Muslim
painting has done before (and still continues to do), Shiva Nataraja is a way for people to receive comfort from the
emptiness on either side of life.
Prior to
examining this piece, I had only looked at depictions of Shiva as a beautiful,
sacred piece of art. After learning the history that is behind him, it is more
than just a pretty statue. This is a piece with history and time behind it. So
often do people look at art as nothing more than a pretty piece of something to
take up space, but Shiva Nataraja is
one of the few pieces that pushes a viewer to look past the initial impression
and dig deeper into the real meaning and purpose behind it.
Friday, October 19, 2012
Examining Claude Monet's "Valle Buona near Bordghera"
This is the second artwork I examined for my midterm. While my first painting was looking at Jackson Pollock's (an American painter) Portrait and a Dream, this is examining one of my favorite European artists.
When I saw
Claude Monet’s Valle Buona, Near
Bordighera that he painted in 1884, I knew I wanted to write about this
piece. Monet is one of my favorite, second only to Van Gough, so I knew that it
would be a joy to write about one of his paintings. Even though I had seen Van
Gough’s Banks of the Seine with the Pont
de Clichy in the Spring, I opted to write about Monet’s piece instead,
mostly because I knew I wanted to write about Pollock’s Portrait and a Dream, another man with a tragic background that
left this world far too soon.
Monet
created Valle Buona, Near Borgdihera
with the use of vibrant colors. As an impressionist painter, Monet uses visible
brush strokes and emphasizes on the colors and the feelings evoked, not necessarily
the lines and contours that dominated the painting world at this time. As the
name suggests, this is an impression of the scene, not an exact replica. By
gazing at the painting, the viewer can feel the same sense of peace that Monet
surely felt as he was looking at this landscape. The beautiful blue of the mountains is set
into contrast by the foreground, the vibrant greens and yellows of the brush.
The sunlight filters through the blue sky, adding light and shadows to the scenery.
Valle Buona, Near Bordigherg is a
peaceful and serene painting of a beautiful landscape. Monet was one of the
founders of the Impressionist movement, this painting is painted in this style.
While not nearly as famous as his paintings from his garden at Giverny and his
paintings of the water lilies, this is a painting that certainly can hold its
own. While Monet’s most well-known
paintings are from his garden in Giverny, he also has several paintings that were
inspired by his many travels. Like his other paintings, Valle Buona, Near Borgdihera was created using Monet’s preferred
medium: oil based paint.
Many of
Monet’s paintings are simply looking at the natural world around us. Especially in a time when we are
surrounded by so much technology and life can be superficial at best, seeing a
painting that takes the time to focus on the natural beauty of the world around
us is like a breath of fresh air. Even though this was painted more than 100
years ago, the same theme is quite apparent: the world around us is beautiful.
While it may not have had such an important subject when Monet painted it,
seeing the world in its natural glory is not something many people today take
the time to see. The peacefulness that is evoked is a simple message to how
peaceful and relaxing the world around us can be.
Claude Monet is undoubtedly one of the leaders
in the Impressionist movement. After examining Valle Buone, Near Borgdihera, I have a new respect for the way Monet
was able to convey emotions with what, at first glance, is a simple scenery
painting. As someone that has always admired Monet’s use of colors and the way
he evokes emotions in the simplest painting, I have been amazed at how looking
further into the history of the man and the painting have increased my respect
for him.
Thursday, October 18, 2012
Examining Jackson Pollock's "Painting and a Dream"
In my Art Appreciation course, the midterm assignment is to visit a local art museum and pick out four paintings, one from an American artist, one from a European artist, and two from other cultures, and write an analysis of these pieces of art. The next four posts will be my analysis of the art I have chosen. So enjoy reading my midterm split into four pieces!
Jackson Pollock’s Portrait and a Dream is a beautiful oil painting Pollock completed
in 1953. Portrait and a Dream was
finished just three years prior to Pollock’s death in 1956. I was struck by the
way this painting is not only simple, but after looking, the meaning of this
painting and its purpose becomes increasingly sad and complex. While the
abstract self-portrait is at first hard to understand, after looking at the
black lines on the left and the black and red and orange mass on the right, it
is possible to come to see the meaning in the chaos.
Pollock
once described the painting on the left hand side was a portrait of himself, the
portrait on the right was a portrait of himself “when I’m not sober.” While the
left side is simple black and white, the right is a mess of colors and motion.
The haphazard lines in both paintings show the way Pollock knew he was
spiraling out of control, turning into a violent and uncontrolled mess. The
right portrait is attacked with the colors he used, irrefutably alive even
through the mess and chaos. The border separating the two speaks of his
discomfort in much the same way that Van Gough used color to try to communicate
the way he saw the world.
Portrait and a Dream was
created during a time in Pollock’s life when he fell prey to his alcoholism and
most of his paintings were the abstract images that were but a cry for help.
While this was created in the downward spiral of Pollock’s life, he “believed
the mess inside of him was somehow communicable and beautiful” (Jones). Only
three years after this painting was completed, Pollock died in a car crash
while drunk. While this painting was made at the height of his painting career
and was even called “the greatest living painter in America” this was also
during the time when his alcoholism and temperament had worsened (O’Neill).
Pollock’s Portrait and a Dream is looking inward,
towards the human experience. Because Pollock has told us that this is a self-portrait,
this is the way he sees himself, the audience knows that the main theme of this
piece. At first glance, it may be difficult to see the beauty in the chaos of
Pollock’s mind, after taking the time to look at the painting and understand
what he is evoking, it is easy to see the complex way that Pollock views
himself. He knows he is a mess. He knows he is falling apart. But he also can
see the beauty that can come from chaos.
After
looking into this piece more thoroughly, I’ve realized that there is more than
just chaos on the canvas. I can see how Pollock was struggling to make it
through his life. It is tragic that such a brilliant man died so soon, we can
only wonder about what he would have been able to accomplish. After learning
more about Pollock and this particular painting, I feel as if this is an even
more powerful piece and I admire his talent even more for putting such an
exposed, private part of himself out into the public eye.
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